Archive for February, 2010

New music scheduled for release!

I’ve been working on an album for a fair amount of time now. The album will be called New Aquarius. Instead of waiting for everything to be in the can before I release it in full, I’ve decided to embrace the flexibility that mp3 downloading affords me and release “preview” tracks! I’ve been stuck in the album release mindset for long enough and you can only talk about your music for so long…

Therefore, look for a new recording very soon! I’m going to release a new song from New Aquarius monthly. I don’t expect that every song from the album will be available as a single first – probably only about half of it, but I’m going to offer something very special to those of you (and you know who you are) who acquire the previews as they come out!

Here’s what I’m gonna do…

  • I’ll release the New Aquarius preview songs exclusively through my download store here at chrispreston.com (in the Music tab). I’ll release something new about once per month.
  • Remastered versions of the preview songs will be available on the completed New Aquarius album when it’s released, along with the songs that were never released as previews.
  • If you’ve downloaded the all preview songs by the time the CD is released, you will receive a CD copy of the album as a special gift from me!

The first song I’ll make available is an acoustic tune called “Everybody Loves A Pretty Girl”. Watch out for it!

 

“The suspense is unbearable. I hope it’ll last!”

Posted in New Aquarius Preview Tracks! | 1 Comment »

Fare thee well, Band of Brothers

For the longest time, I avoided mentioning my involvement with the Band of Brothers here. I wrote about them a few times, but in the personal reactions of a certain member of the group, it seemed to backfire enough times for me just to avoid the subject altogether. I wondered whether or not I should continue on that score, after having left the band this week, but some of my readers here might be interested in knowing why I no longer appear with them on stage and why I suddenly have no performances scheduled.

I joined the band because I respected Brian and what he was trying to do. I’m glad that I did, because I got some great keyboard and guitar experience and many opportunities to keep out and performing that I otherwise might not have had. I found that I enjoyed being a supporting player sometimes. I took great pride in singing my backup parts and playing as well as I could to push Brian and his music forward to the best of my ability. That was a new experience for me, since I’ve only ever worked that diligently on my own music. I felt like Steve Van Zandt or something. It was cool.

However, as I dig ever deeper into my own music and recording, projects like the Band of Brothers feel less and less like things I “belong” in now. After our concert last week, it became clear to me somehow that I had to move in a direction that would be more productive for me, so I bailed. It wasn’t easy, but whenever this kind of thing happens, I can never seem to relax until I’ve settled the conflict in my own mind.

The promoter of the Salem Roadhouse Cafe concerts has asked me to open a show for him, and I intend to do that. It was nice to know that my performances in Brian’s band were enough to inspire someone to consider what I might have to offer as a solo performer. If I have others playing with me, I’d be happiest, but I could do it alone if I decide to.

So now I turn my attention to my own music exclusively again and it feels renewed. I’m considering how I might want to approach performance now. Though I expect to have some help, I am even considering using sequences to cover parts for which I don’t have enough hands. I’m keeping an open mind about it, but I have some new territory to cover, so it’s still up in the air.

So fare thee well, Band of Brothers. It was a good time.

Posted in My life in music | 2 Comments »

Did you ever get an old coin?

This is an idiosyncrasy of mine. The most seemingly insignificant object or experience can send me into full-on Charlie Brown/Pig-Pen mode. I’m referring to a scene in A Charlie Brown Christmas, in which Frieda is complaining about the dust coming off of Pig-Pen and ruining her naturally curly hair. Charlie Brown responds to her complaint with an alternate, more romantic bent, suggesting that she look at Pig-Pen’s filth more subjectively. He proffers, “It staggers the imagination. He may be carrying soil that was trod upon by Solomon…”

That’s what happened to me this week when I was counting my change and discovered that I had received a well-worn and decidedly filthy quarter minted with the year 1974. In 2010, one almost never receives a coin of such vintage! My mind immediately began to race with the possibilities. Oh I would that I had the extra-sensory ability depicted in science fiction and paranormal dramas in which the hero can see the history of an object merely by touching it. What turns of happenstance led this aged coin into my possession?

1974…

The year of Todd Rundgren’s Todd album and the first Kiss album. I measure my whole damn life by records. No. To consider the circulation life of a quarter, one must concentrate on more mundane things. How many pockets has it been in? On how many dressers and nightstands? How many diner tables? In how many toll baskets? Public phones? Vending machines? Sofas? Piggy banks? Guitar cases? How many times has it been dropped from the roof of a skyscraper?

I received this coin in New York City. Had it ever left Manhattan? How many New Yorkers have been in possession of it? What were they doing? Where was it during the blackout in the summer of 1977? Who was holding it the day John Lennon died? How many times has it been some kid’s last quarter? (I mean, who cares how many people have held a $20? If you have a $20, you’re OK.) How many important calls have been made with it? How many times has it fallen to the sound of an operator asking for more money, long before the girl on the other end has forgiven the caller? How many winning tickets have been scratched off with it? How many losers? How long has it lain dormant in the muck under subway tracks or in a storm drain? Who found it and how? Who got it moving again?

How the world has transformed around this little piece of metal. Hell, I’m not even using the same teeth as when this coin was stamped. I got it as change when I bought my coffee, a large half-caff with milk. When this quarter was new, I doubt you could even buy coffee in more than one size. The closest you could get to decaf was Sanka. Still, it’s the same quarter from 1974 and it survives.

Coins are seldom considered this way, but they can have a value that nearly invalidates the monetary one. In the sound of them when they fall, in their lustre or dullness, in their durability, they are a freely floating symbol of undocumented human history and experience. When you hold one, you are instantly connected to all of those people and events. You become part of the continuum in a such an authentic way, yet it’s so easy to miss it.

Historical sites and monuments are the bold statements we make to ennoble and commemorate ourselves, but everyday life, simply surviving and learning what we are here to learn, is no less noble and no less worthy of commemoration. Goals and milestones are the stuff of $20s, $50s and $100s. Real life is a quarter. 

 

quarter

Posted in Everyday Life | No Comments »